Sarah Haviland

Sarah Haviland. “Migration Myths: Moché Bird-Runner.” 2020. Steel, wire mesh, enamel.
Sarah Haviland. “Migration Myths: Woman Riding an Egret.” 2020. Steel, wire mesh, recycled plastic bags, construction mesh.
Sarah Haviland. “Woman on a Bird.” 2020. Steel, wire mesh.
Sarah Haviland. “Magpie Bridge, Maiden.” 2020. Steel, wire mesh, recycled and handmade paper.
Sarah Haviland. “Circling the House.” 2020. Ink on rice paper on mesh.
Sarah Haviland. “Taiwan Pheasant, Arc Notebook 12.” Detail. 2019. Paper collage.
Sarah Haviland. “Feathers.” 2020. Ink on rice paper.
Sarah Haviland. “Migration Myths Map.” 2020. Ink on mylar on map.
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Sarah Haviland is a sculptor and installation artist whose work focuses on cross-cultural human-bird imagery and the environment. She was awarded a US Fulbright Fellowship for creative research in Taiwan, 2018-2019. Her abstract-figurative sculptures and public art installations have been exhibited widely in galleries, parks, museums, healthcare, and educational settings.  

“My current work focuses on human-bird imagery found in cultures around the world—most recently stories and birds from Taiwan. Using wire mesh, found objects, and recycled materials, I make artworks that explore relationships among these archetypal images and our present social and environmental concerns. With tinsnips, pliers, and techniques borrowed from sewing, metalwork, and paper craft, I aim to turn common materials into linear drawings in space that remind us of our deep connections to nature.”